![]() Placing the theme in tonic with a new melodic and harmonic foundationįor the closing material. Return puts the theme back in the dominant followed by a coda Key of E major for a hearing of a condensed introduction. More episodic material returns the piece back to its original Way to a version of the theme in the minor-subdominant key while To present the B section in the mediant key. In the dominant, incidental material modulates the piece again Of the theme in the dominant key right away. The theme in tonic, modulates to the dominant, placing the presentation ![]() The second movement, Enlightened, begins with an eighteenīar introduction which rather than establishing the key to present The composer uses angular movements, change of feel, space and Piece loosely based on a short six note motive extracted from The first movement, Questioning, is a modest fantasy/ternary To know that opportunity for growth is always beyond the next With this, we are “enlightened”, and it is wonderful ![]() Once the unknown is revealed we experience growth as a result Such encounters require a greatĭeal of thought and “questioning” before the threshold into the ![]() Often we encounter metaphorical doors which, once passed through,Ĭan drastically change our lives. 3-4 of the 2007 Soundboard Magazine issue and is available here in its entirety. The first movement of this diptych was featured in volume XXXII Nos. This is a challenging and lengthy two movement piece. ![]()
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